Origine della geometria e Origine dell’opera d’arte: riduzione, verità e storia in Husserl e Heidegger
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Origine della geometria e Origine dell’opera d’arte: riduzione, verità e storia in Husserl e Heidegger
Heidegger Studies / Heidegger Studien / Etudes Heideggeriennes / Studi Heideggeriani, Vol. 39(2023), Iss. 1 : pp. 105–118 | First published online: December 12, 2023
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Prof. Dr. Gaetano Chiurazzi, Università degli Studi di Torino, Dipartimento di Filosofia e Scienze dell’Educazione via S. Ottavio, 20 I-10156 Torino, Italy
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Abstract
Origin of geometry and origin of the work of art: reduction, truth and history in Husserl and Heidegger
Origin of Geometry and Origin of the Work of Art: Reduction, Truth, and History in Husserl and Heidegger Husserl’s The Origin of Geometry and Heidegger’s The Origin of the Work of Art were surprisingly developed in parallel and deal with the same subject, the question of the origin: of a science, in one case, and of the artwork, in the other. From their comparison, the different conception that Husserl and Heidegger have of origin and truth clearly emerge. It concerns what Heidegger identified as the real point of his divergence from Husserl, when they tried to write the entry “Phenomenology” for the Encyclopaedia Britannica , namely the method of reduction. For Husserl, the reduction opens up a material content, an essence, which ensures the persistence of truth in historical transmission, beyond linguistic variability, as happens in geometry; for Heidegger, reduction brings to light the ontological and, we might say, grammatical condition of truth, that is, its being an event and giving rise to an original syntax, to a world. This is the function of the work of art, whose essence consists in its mere being-made, in its being, that is, a work: the actualization of a possibility. Keywords: origin, geometry, art, Husserl, Heidegger, reduction
Table of Contents
| Section Title | Page | Action | Price |
|---|---|---|---|
| Gaetano Chiurazzi: Origine della geometria e Origine dell'opera d'arte: riduzione, verità e storia in Husserl e Heidegger | 105 | ||
| 1. La riduzione | 105 | ||
| 2. L’origine del senso | 107 | ||
| 3. Il senso dell’origine | 111 | ||
| 4. Il senso è la storia | 116 | ||
| Bibliografia | 117 | ||
| Abstract | 118 | ||
| Origin of Geometry and Origin of the Work of Art: Reduction, Truth, and History in Husserl and Heidegger | 118 |